Shades by Caroline “Bops” Sardine

“Every Island is Different – Every Island is the Same”

by Therese Hadchity

“Every Island is Different – Every Island is the Same” is presented as a collaboration between Caroline Sardine, or Bops (as she prefers), and Philip Nanton. Perhaps it is more precisely described as an ongoing relay, which started with Nantons lively interpretation of Bops’ painting ‘Sunnii-side-up’ for the group-exhibition “Words on Paintings” in 2008. Nanton followed up by inviting Bops, in turn, to design a cover for, and subsequently comment – in painting - on each of the mono- and dialogues he launched later that year as a CD titled ‘Island Voices’. It is a collaboration which, of course, prompts the viewer to ask whether the two artists have anything other than their Vincentian origins in common, and - if not, whether their interaction has been meaningful nonetheless.

Zemicon Gallery, Bridgetown,           Barbados, March 15th – 31st 2009. (more…)

En Route . . . Of Bridges and Barriers
Marlon Darbeau at Alice Yard, Port of Spain, Trinidad
December 10-13, 3008

click on the image to go to enRoute flickr folder

Logic and careful organization are seldom ingredients found in response to a particularly frustrating or aggravating situation. But last December graphic artist Marlon Darbeau pulled off such a feat with En Route . . . Of Bridges and Barriers—a social commentary via installation mounted at Alice Yard in Woodbrook, Trinidad.

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Click on the image to visit the  site and to download the magazine.

 Draconian Switch is a monthly Art and Design eMagazine originating from Trinidad and Tobago.

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“SOCIETY”

The place of the object in my work has manifested itself in many ways over the last few years.  Objects both organic and synthetic have largely informed my approach to painting and seeing the environment. These 3D symbols have become central to the narrative in this work, which is a bit less literal and more metaphoric.

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 Meditation: Costa Del Alma

video link and still

Makeda Thomas in collaboration with Panu Kari
Costa Del Alma (2008)
Large projection  / 7 minutes 14 sec. / Lighting: Camal Gaiby/Music: “Om Mani Padme Hum” by Yungchen Lhamo

“She who knows she cannot speak of them without speaking of herself, of history without involving her story, also knows that she cannot make a gesture without activating the to and fro movement of life.”

-Trinh T. Minh-ha, Not You/Like You

Costa del Alma is a meditation of overlapping metaphors in which there are multiple planes of time, place and space.  This work is at once a study in video, a remembrance of a 2008 visit to Costa do Sol and of my paternal grandmother (whose name is Alma), and an interplay between Portuguese, Spanish and English words.
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Parasitic Periphery

Parasitic Periphery (P.P.) was a public art project, executed between May and July of 2008, in downtown Port of Spain, Trinidad. PP’s material components were over seven hundred prints of two-inch square, woodcut images were installed throughout the city.
If this work was diminutive, in the physical scale of its components, it was because it was part of a larger idea.

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Dreams (Sueños) (2008)

a dream in three parts

This short film is a visual poem in three parts. Footage included in the film is from Miami, Miami Beach, Ann Arbor, and Havana, Cuba. The soundtrack of the film includes music by Duke Ellington, from the album Black, Brown, and Beige as well as poetry by Langston Hughes read by the author himself. dreams (sueños) alludes to the tension that exists around the relationship between the US, particularly Miami, and Cuba, as well as offers a glimpse into the possibility of change.

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Aus den sieben Tagen,2008 (From The Seven Days), mixed media - monoprints, photographs and mirrors, H 68″ x W 76″

A Willing Suspension of Disbelief

-to transfer from our inward nature a human interest and a semblance of truth sufficient to procure for these shadows of imagination that willing suspension of disbelief for the moment, which constitutes poetic faith.
Samuel Taylor Coleridge (Biographia Literaria, 1817).

In the last work Nick Whittle made for this exhibition, there is one image among many. It is a photograph of the artist himself. Naked; eyes closed; arms outstretched; he floats in a shallow pool of green-tinged sea. Weightless and unguarded. Light reflects off the surface of the water creating a fractured pattern that emanates from the artist’s head. He is both suspended and immersed within the sea; his facial features, his breasts rise above its surface like islands. This is the artist that I know, and yet as I have never seen him before.

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Symbiosis: A Discourse on the Psycho-Social Jungle of the Jamaican Experience
Winston C. Campbell

Installation detail

‘SYMBIOSIS’ is the title of the newest installation by renowned Trinidadian artist, Marlon Griffith at the CAG(e) Gallery at the Edna Manley College and apparently makes reference to the ever shifting/ever stable interconnections that are present in the Jamaican (and Caribbean) societies. Lexically, the word suggests relations, dependence, mergers, sacrifice, encouragement, similarity, dissimilarity and a host of other inter-connected references. Without being heavily grounded in theoretical approaches to discussing Caribbean peoples and their cultural realities, one cannot help but accept that the term seems quite appropriate when attempting to describe the Jamaican cultural situation.

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