Rob Perrée / The Wakaman Project
Monday, May 18th, 2009 
CRY SURINAM
In 1992 the Curacao born artist Felix de Rooy made the assemblage ‘Cry Surinam’. It comprises a cream coloured (glowing) oil stove with a book about Surinam on top of it, on top of that is a large bone and the head of a black Surinamese with widely gaping mouth. He is crying out. A parody of the Surinamese leaving the warmth of his own country for the chilliness of the Netherlands. A work that can stand, unintentionally, as a symbol for art in Surinam.
Why does contemporary art play such a modest role in the former Dutch colony? Why are there no Surinamese artists (with a few exceptions) to be seen at international exhibitions? Why is almost nothing written about it? Why are they hardly ever included in the collections of the major Dutch museums?
Is there any Surinamese art or does the art there not want to be Surinamese? Why is the colonizer’s culture still the dominant culture?
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